In this OA article for Film-Philosophy Nidesh Lawtoo revisits the case of Woody Allen’s mockumentary Zelig (1983) via Nietzsche’s diagnostic of mimicry and Arendt’s analysis of the banality of eivl. It argues that the case of the “human chameleon” remains contemporary for both philosophical and political reasons for it reveals the centrality of mirroring reflexes in the rise of old and new fascisms.